new york, February 25, 2024 /PRNewswire/ — The Korean Cultural Center of New York (KCCNY), a branch of the Korean Ministry of Culture, Sports, and Tourism, is proud to announce thejohn pie: Eternal Moments,” a retrospective exhibition will be held in the gallery of the new building at 122 East 32nd Street. new york city From March 6th to April 18th, 2024.
John Pye: Eternal Moments
john pie He stands as an original figure in the tapestry of Korean art. new yorkHis life and work reflect an enduring spirit of innovation, true artistry, and the rich story of Korean history. Through decades of turbulent history, Pai’s artistic journey has not only made significant contributions to the development of the world; new york In addition to influencing the art scene, it also served as a bridge between cultures, highlighting the resilience, creativity, and unique perspectives of Korean artists within the global diaspora.
This is fitting as KCCNY opens the door to a new chapter in its new building. John Pye’s The works inaugurate this space, symbolizing the bridge between past and future, tradition and modernity, connecting diverse cultures through the universal language of art.
To commemorate this achievement, a retrospective exhibition “john pie: Eternal Moment” is an exploration of Pi’s contribution to the fabric of art history. new yorkand celebrates his role in shaping the identity and perception of Korean art on the international stage.
This retrospective exhibit chronologically presents Pai’s early sculptures and major works, drawings, and paintings influenced by Constructivism in the early 1960s. The exhibition features works of various sizes, textures and colors, providing a comprehensive understanding of his work. John Pye’s artistic realm.Additionally, his oral history interviews by historians Leila Vral First released in summer 2021, it offers meaningful insights into life and art. john pie.
John Pye’s An artistic journey using steel
From the early 1960s to the present, all of Pi’s sculptures are meticulously welded by hand using only steel. Among the various materials, Pai chose steel for its modesty compared to other metals, its ready availability, and its flexibility and adaptability between solid and liquid states. The selection of materials, production techniques, and the resulting work are all about john pie It embodies the artist’s own resilient spirit and honest nature.
He breaks down the roots of all things and the principles of nature into the basic units of “points” and “lines” and combines them organically. These conceptual and creative methodologies stand in stark contrast to traditional carving techniques, such as carving stone or wood or utilizing casting methods. Just as a classical music composer improvises notes on a musical staff to create rhythm and harmony, Pi creates his works by connecting steel wires one by one, moving back and forth between the conscious and unconscious.
“Work is like a private ritual. It brings to mind the idea of arriving at communion with a sense of silence and finding your way within and outside of it. When you start work, you have no preconceptions. Do the work, I react to my thoughts. It’s over. The silence is comfortable.” –john pie–
Life as a Diaspora Korean Artist
john pie was born in Seoul Born in 1937 as the son of an independence activist during the Japanese occupation.he spent his childhood there Seoul Approximately 11 years until moving to Ilsan US For the past 11 years, South Korea was liberated from Japanese rule in 1945 and then brought to the brink of civil war by the U.S. military regime. Because his parents were deeply involved in the political turmoil in South Korea at the time, Pai was unable to escape from the chaos, and at the age of 11, he found himself in the unfamiliar environment of America.
Although Pi remembers this period in fragmentary episodes, his subconscious memories and consciousness at the time deeply influenced his life and work. He thought deeply about choosing an artistic path that seemed unrelated to real life, especially considering his grandfather and his father, who were independence activists. After graduating, he took up a professorship at a university. Pratt Institute He graduated as the youngest student in 1965 and continued to teach students until 2000. new yorkKim Hwan Ki etc. Kim Chan Yeoland Nam June Paik His sense of historical mission and sense of indebtedness from the 1970s to the 1990s may also have been an influence.
About New York Korean Cultural Center
As a government agency established in 1979 under the Korean Ministry of Culture, Sports, and Tourism, KCCNY has hosted a variety of cultural and artistic activities, including exhibitions, concerts, and film/gourmet festivals. KCCNY will soon open a seven-story building with a brand new gallery, theater, library, cooking studio, and meeting rooms. Manhattan’s Koreatown in February 2024. www.koreanculture.org
For inquiries regarding the program, please contact Dr. Yoon Bora, [email protected].
For media inquiries: Please contact us. mickey hyung, [email protected]
Source New York Korean Cultural Center
